All About WoLLoW

January 8, 2025

To celebrate the various partnerships in our Norwich School community, we sat down with Abbie Dean, co-founder of WoLLoW, to find what WoLLoW is all about.


What is WoLLoW for those who are unfamiliar?

WoLLoW is a course that we have created for primary and secondary schools, looking at languages as a whole. I’m a languages teacher and I specialise in German but WoLLoW is looking at all language including English, classical languages and modern foreign languages. We also want to bring in languages that are spoken in our classrooms, in our communities and England and the UK as a whole; we are trying to have a less Eurocentric approach and a more global approach to languages. We look at similarities and differences, we look at the oddities of languages, we look at where our languages come from and how they are linked. We are trying to give pupils an understanding that languages are relevant and useful and that languages are central to them in succeeding both in school and in later life. We focus on literacy and celebrating the linguistic diversity in our classrooms. We promote literacy by looking at words and where they come from (their etymology) and how sentences are structured. We look at language and how it shapes our identity and we also focus on modern languages. Our aim is that their interest in language as a whole in the younger years continues through to an interest in modern languages so we can improve outcomes in language lessons, as well as interest and enjoyment. We believe that by starting this at such an early level (in Norwich school we teach it from year 3) and see it through until secondary then we can encourage that big push on both literacy and language as a whole, building on that foundation that we have created.


Great, now just coming off from that, you mentioned making languages less Eurocentric, what do you mean by that?

So, in schools traditionally we have taught French, German and Spanish. At home pupils’ parents probably would have been taught French and German but when we look at the children in front of us we have Arabic speakers; we have Hindi speakers; we have Yoruba speakers and we aren’t realising that our pupils with an additional language, what they have really is a superpower. We are not giving them the centre stage to discuss their language and their family’s languages, which relates to identity and heritage which we should be celebrating. If these children already have a language is addition to English then they will find it a lot easier to pick up another language and they have all these skills that they have that we aren’t quite tapping into. We also think that, if you look at the languages spoken nationally, as well as having French, German, Spanish we need to be focusing on languages such as Mandarin; in Norwich school mandarin is taught from year 3 all the way up to sixth form. However, this isn’t a national picture, we want WoLLoW to be an opportunity for schools across the UK to be able to have a little insight into some languages spoken in Africa for example, or Arabic or Hindi. We’ve got stand-alone lessons on those languages which don’t necessarily focus on specific vocabulary but look into the origin of those languages so that they are understood on both a geographical and historical level. We also look at how those languages are linked to English and other languages and why these languages are so important to our community and to our society in the 21st Century.


And how many lessons do WoLLoW pupils have?

So, from year 3 onwards they have 1 lesson a week, in the Lower School here that is about 30 minutes. I alternate with Mrs Song, so the children are taught half a year of both WoLLoW and Mandarin. That is for years 3, 4, 5 and 6. When pupils join the secondary school, in years 7 and 8 we have one lesson per week, and we also have an option at GCSE level for them to do a non-examined course in WoLLoW. This is an opportunity for them to keep looking at language and linguistics and keep thinking about literacy in a linguistic environment. In Sixth Form, we offer WoLLoW as a form of Community Service where pupils can decide to become a WoLLoW teacher. As well as being given the opportunity to create their own language lessons, they can go out and teach the lessons which we have created to local primary schools. With this, the pupils get teaching experience and some good exposure to how languages and literacy can be taught.


So how did WoLLoW start?

It started with the Head (Steffan Griffiths) and John Claughton (who used to be the Head of King Edward’s School in Birmingham) who are both Classicists and passionate about Classics and Languages but frustrated with how languages were perceived nationally. It is particularly noticeable when pupils join secondary school, that there is a feeling of deflation regarding language learning and so, regardless of how much languages pupils had learnt or not learnt at primary school, we had to start from the very beginning. There was real pinch point in the languages transition. From then we felt as if we lost the pupils a little, regardless of what we tried, we felt we were missing a trick. Nationally, there has been an exodus of pupils studying a language at GCSE and even more so at A Levels and University level. With that frustration came a desire to do something about it. The feeling was that we should look at languages as whole: Classical Languages, Modern Languages and English and all the literacy subjects and try to bring them together: teaching them as a programme which celebrates language and linguistic diversity rather than teaching them in silos. A lot of the time pupils find languages quite challenging but I think that that is a challenge to be embraced rather than ignored. WoLLoW aims to show them that they can do it, through pattern finding and problem solving as well as discussion, we want to show pupils that language learning is useful in our multi-lingual society, is relevant and is achievable. So we created WoLLoW which has now been rolled out internationally. Teachers around the country and beyond can access our resources for free. We have around 200 schools using WoLLoW resources around the country but also internationally, in the Netherlands and Germany for example, but also from further afield such as Australia, Hong Kong and Argentina, so we like to think that the word is spreading!


So you have mentioned providing resources to schools, do you personally ever go and teach in other schools?

Absolutely! I visit other schools providing staff CPD as part of their teacher training. I come and give whole staff meetings, or one-to-one sessions for staff who are interested in teaching WoLLoW. They see how the lessons look and what our general approach is. We do this to give teachers a bit of confidence before they embark on WoLLoW teaching. I’ve given lectures and seminars to pupils before they start their Community Service; I’ve visited universities and trainee teachers. I am to show them that they some scope in their teacher training programme to try something a bit different. Additionally, I visit local primary schools and deliver either one-off lessons or a series of lessons. Sixth formers in their Community Service accompany me so it isn’t just me teaching it, it’s the sixth formers which we have trained up.


How does your schedule work in line with WoLLoW? How do you manage to fit everything in?

I teach WoLLoW here in school but it isn’t just me. Mr Griffiths, Miss Arien and Miss Watkinson teach it as well, and at the Lower School a few teachers have taught it too. Thursdays is the day that I am out of the school, I go around the country delivering at conferences, visiting schools, delivery staff CPD, teaching lessons, spreading the word and meeting really interesting people who are interested in language learning and linguistics. We have a lot of interesting people on board and we are working closely with various educational institutions and universities around the country to make sure that what we are doing is working and aligned with current educational thinking but also aligned with what schools both need and want. I think it is really important that, when we are looking at something that promotes partnerships work, it is about giving schools what they want rather than what we think they want. For example, I have been working with one school, Magdalen Gates Primary where I have had those conversations with pupils and staff about what languages they speak and what languages they are interested in. From then, I can go ahead and tweak my lessons accordingly, catering to their prior learning and their curriculum. In doing this it ensures that the lessons are personalised and make sense to the pupils rather than just teaching a generic lesson and hoping it makes sense. Schools around the country that are using WoLLoW can also tweak the lessons, or they can use the lessons that we have provided as they are.


What are the aims of WoLLoW?

We want pupils to come out of WoLLoW feeling empowered, able, enthusiastic and knowing that there is worth in studying languages.


What are the future hopes of WoLLoW?

We jokingly talk about global success (even though we have already had that to a certain extent), creating a global network of WoLLoW schools. We want to set up categories within our schools to be able to say that ‘we are a WoLLoW school’ because the schools that use WoLLoW are really committed to and care about languages and linguistic diversity. There is nothing else out there quite like it that focuses on the word and the sentence and the links between languages, as well as languages that are taught traditionally. In short, we want a global network, we want WoLLoW schools and we want to celebrate our WoLLoW schools. We also would like to, take WoLLoW to a policy level nationally, bringing our ideas forward. We are in the process of that working with HMC for example, to geta foot in the door there at policy level as well.


So how is WoLLoW involved in Norwich School?

WoLLoW has charitable status (we are an independent charity) and there are four of us as co-founders. As a charity, we also need trustees, so we have a group of those as well who guide us. We have donors and we also have researchers who are looking into whether WoLLoW does what we hope it is doing. Essentially, we are a charitable organisation set up independent of Norwich School, however, we have Steffan Griffiths (Head) who along with John Claughton came up with the concept and then Steffan got me onboard to create the resources and to get things moving. Norwich School has been where it all started in terms of teaching WoLLoW. We have run the course throughout the year groups and we are continuing to. We get feedback from our pupils and try out new material and it has gone really well and so really, although it isn’t on paper a Norwich School initiative I’d say that the heart of WoLLoW is here at Norwich School.


Visit the WoLLoW website here:  WoLLoW - World of Languages, Languages of the World


By Sonja Mitchell • September 28, 2026
With funding from the Friends of Norwich School, thousands of music sheets can be stored and managed more effectively.
By Sonja Mitchell • September 28, 2026
This November, Tom is taking part in Ride25, raising money for 1moreChild.
By Eleanor Lewis • September 23, 2026
2026 is National Year of Reading and we are going all in here at Norwich School! We know reading expands worlds, sharpens minds, and fuels creativity, so let's get inspired! Every month we are focusing on a different genre and hearing from a member of staff about what they like to read, why, when and where! For the start of a new school year, we’re talking to Mrs Hewitt about her favourite genre. Let's find out more about why Mrs Hewitt loves the great American novel... . Tell us a little bit about the genre; what common themes or elements do you particularly enjoy? I’m not completely sure this is an accepted genre, but I have always been drawn to American novels from the 20th century. Characters in these novels live harder lives than me. Life is not generally kind to them and they are not always kind to others nor make the ‘right’ choices. You can explore human frailty and resilience in the face of poverty, social disapproval or upbringing without ever leaving your cosy armchair. What was the book that introduced you to American novels? Was there a particular book or author that made you fall in love with this genre? Children’s books were nowhere near as varied and diverse when I was young. I grew up reading Noel Streatfield, Enid Blyton and Louisa May Alcott and other books written when my grandparents were young and if they weren’t written ‘in the olden days’, they were set ‘in the olden days’. Studying A-level English, French and German literature meant that I had many weighty tomes to plough through in my late teens, so discovering The Outsiders by S.E. Hinton and The Catcher in the Rye by J.D. Salinger in the school library opened my eyes to the idea that a book’s hero could be my age with a teen’s outlook. They put me in the shoes of people who were far bolder, more unconventional and exciting than me. Has your taste in this genre changed over time? Yes. I am less inclined to accept misogyny in books now. You could argue that Charles Bukowski intentionally set out to make his nihilistic alter ego Henry Chinaski to be unpleasant and repellent, but if I were to reread, I would rather choose The Best of Everything by Rona Jaffe, which is a great insight into life for young women in the early 50s dealing with such attitudes. Would you recommend this genre to someone who doesn’t usually read it? Why? I’m happy to tell people about books I’ve enjoyed, but rarely recommend any, as enjoyment of a book is so personal. I’ve recommended some of these to my son, but he won’t be told and flat-out refusal is just annoying. So, all I can say is that millions of people have loved them, but you may not. What do you enjoy most about reading, whether an American novel or anything else? I read to experience lives I will never live and to get to know people I will never meet. When and where is your favourite time and place to read? On public transport, as there are no other tasks or distractions to take me away from my book. I can fully disconnect from what is around me. A three-hour train journey? Divine. Yes please. Tell us a little bit about the genre; what common themes or elements do you particularly enjoy? I like the fact that I never know if the ending will be happy. The genre is typically described as ‘gritty’. These books focus on people who are on the edges of society, whether by choice or by circumstance, in a time of powerful, narrow-minded social judgement. I saw New York through the eyes of James Baldwin’s gay, black jazz musician Rufus in Another Country ; I enjoyed pool-hall hustles in Hard Rain Falling by Don Carpenter, a 24-hour dance competition in They Shoot Horse Don’t They? (Horace McCoy) and came face-to-face with the grim reality of war for young soldiers in Norman Mailer’s debut novel The Naked and the Dead. If you could step into the world of any book, which would it be and why? Well, I certainly wouldn’t step into In Cold Blood by Truman Capote and I’m not sure if I would survive On The Road in the way that Kerouac did, although I’d certainly enjoy travelling across America. Perhaps I would do this with Joan Didion instead in The White Album , or with John Steinbeck and his dog in his caravan while he wrote Travels with Charley and I could tell him how much I love East of Eden . Click here to see the monthly reading list!
By Eleanor Lewis • September 23, 2026
Deep in the summer holiday, my dishwasher broke down. It started beeping maniacally, relentlessly and making a deep, unhealthy gurgling sound. We are dependent on technology in so many aspects of our lives, it is frustrating when that dependency is abruptly cut off. An August of suds and rubber gloves was an unwelcome prospect. I have little skill to fix mechanical things. Very little. Faced with this problem, I thought I’d turn to someone - or some thing - in my household that might help: my own intelligence fell short so I thought I’d see if Artificial Intelligence could assist me in my predicament. Could one machine fix the other? I fed the symptoms of my dishwasher’s distress into the Large Language Model, Google Gemini. ‘What should I do?’ I asked it, pathetically. It quickly diagnosed the problem: water was trapped in an inaccessible part of the machine. Now, I do own an assortment of under-used screwdrivers; with a flash of inspiration, I suggested that I could unscrew some prominent screws at the bottom of the dishwasher. ‘No!’. Gemini advised me. Sensibly, it told me to not do that under any circumstances or I would break the thing forever. Screwdriver hanging limply in my hand, my exchange with Gemini continued… You will know Artificial Intelligence is the subject of much debate. Some claim, optimistically, that it will revolutionise human life for the better, solving difficult problems and removing drudgery. On the other hand, some claim unrestrained AI development could lead to the extinction of humanity. That would, at least, solve the dishwashing problem. For those of us in schools, the emergence of generative AI poses a challenge to the purpose of education; it can now do many of the tasks that have, until now, been the preserve of humans. Put simply: AI can – efficiently – find any information, read and summarise a text, write fluent and polished prose, offer instantaneous translation, complete every part of a mathematical or scientific problem, and generate music or art in any genre. Is it, therefore, still important to learn to do these things for ourselves. Before Easter, I asked senior year groups for their views on AI. I am grateful to the 400 in U5 and above who responded with eloquence, supported by their experiences. Whilst many noted positives - that AI can bring efficiencies – it was notable that the majority expressed concern, frustration or even anger about the impact that AI may continue to have. Some cited environmental concerns, or problems of biased, deepfake or hallucinated information. Many noted that AI can compromise academic integrity and enable cheating. A majority expressed concern that dependence on AI may result in people losing the ability to think critically or independently. This view is increasingly supported by hard evidence. A study by MIT in the USA last year indicated that dependence on AI for essay writing resulted in students having a much shallower understanding of the subject, weakening their critical thinking and formation of long-term memory. A recent Chinese study of 27,000 students found the exam performance of those who used AI for their regular work was worse than those who did not. Many of you said you are confused about what is permitted and that the school has not given sufficient guidance. That’s a fair point. The answer is not simple, but I can set out some broad principles. Firstly, in the age of AI, the cultivation of your intelligence and creativity remains an intrinsic good. Intellectual and creative effort has value. Even if AI can do a task, we should be interested in developing our own learning for its own sake; to encounter astonishing new things that change us as human beings. To let you into a secret: when I set a history essay to a class, it isn’t because I actually need 25 copies of that essay. It is because the process of producing the essay develops your learning. Efficiency in production is not the goal of education. Learning requires your brain to work hard and you can’t bypass that difficulty or offload it onto someone or something else. It would be analogous to repeatedly drive a car for 26 miles in the expectation that you will be fit and prepared to run a marathon. Secondly, if AI is used, it should be to support learning, not undermine it. There are AI tools that can be powerful in helping to develop thinking and your teachers may introduce these to you. But their use should not circumvent intellectual effort that is a necessary part of learning. Thirdly, we recognise the growing importance of AI literacy; as the technology becomes embedded into our lives, it is essential that we understand its capabilities and limitations, as well as ethical questions that are raised in a world where AI may become ubiquitous. Mr Fisher has done pioneering work on this with his Fifth Form Elective course and I look forward to working with Lawrence Doe on his red gown project to develop how we do this further. Finally, AI must not diminish our humanity or our relationships in this community. The ‘real’ matters and it was clear in your feedback that many of you are repelled by AI-generated material that is synthetic or impersonal. In particular, you felt strongly that if you put time, effort and love into something, that you want it recognised and considered by a teacher, not assessed by a machine. As with all technology, AI should remain a tool in service to our needs. Dependency on technology for intellectual tasks – tasks much greater or more complex than washing dishes - runs the risk that we become incapable. So, what was the resolution of my dialogue with Google Gemini? It concluded – firmly - that I should step away from the dishwasher, lay down my screwdriver, and call out a mechanic; a real person with the knowledge and skills – the human intelligence - required. When he arrived, he sorted the problem within 15 minutes. I could return – sheepishly - to my dependency on the machine.
By Eleanor Lewis • September 22, 2026
The final of RELEASE 2026 , Guildhall Young Artists’ (GYA) composition competition, was held on Saturday 12 September at Guildhall School’s Milton Court Concert Hall. The event was hosted by Jeffery Wilson, founder and Creative Director of RELEASE, and actor and Guildhall alumna, Sophia Roberts, and featured premiere performances of twelve new compositions. The finalists were chosen by an adjudicating panel consisting of saxophonist and owner of Saxtet Publications, Tom Bruton, Deputy Head of Electronic and Produced Music and Lead Professor of Film Music at Guildhall School Barbara De Biasi, composer, orchestrator, and arranger Matthew Sheeran, and Sub-director of Studies and Teaching Associate at St John's College, Tim Watts. Upper 5 pupil, Isaac S, won the ‘Release the Song’ category with his setting of two Shakespeare songs. Hear them here on YouTube. He will receive mentoring from ‘Audio Network’ professionals and attend an orchestral session at Abbey Road as well as a live masterclass with Paul Ressel and a cash prize. Isaac was also awarded second place with his string quartet Burnt Norton. Isaac commented: "The joy of the whole thing is that it's such an eclectic competition, there's been a really wonderful breadth of entries and it offers opportunities to young composers in all genres, forms and all media. There are so many opportunities across a whole breadth of disciplines out there and it represents many of them. It's wonderful to have more recognition wanting to go into composition professionally later in life."
September 22, 2026
The start of the Academic Year is a very busy time as we return to school life following the summer break. One of the highlights of the start of term is the Clubs and Societies Fair. It is an event full of enthusiasm, hub bub and excitement. This year was no exception as we held the Fair on Tuesday 8 September in our Upper King Street building. The Fair is an opportunity for pupils, new and returning, to go around stalls representing our various Clubs and Societies and find out more about their aims and activities. Over six locations 30 clubs and societies created table top displays showcasing their club or society. It is always pleasing to see pupils leading the stands and talking to other pupils about the activity that they enjoy and are representing. There is no better advocate for that particular activity. Our Games Department were on hand to talk about the vast array of activities that pupils can join. The Music Department had a rolling backdrop of images from concerts and recitals. It was wonderful to hear during the course of the Fair one of our Fourth Form pupils who took to the piano for an impromptu gifted performance. Two of our activities, KS3 Textile Club and Community Knitting Club covered a table in the items that they have made, all colourful and many of the pieces had been designed by pupils. Ms Scott, along with some of our Sixth Form pupils, showcased our EDI societies. Warhammer and The Fellowship: Dungeons and Dragons had a display of their games. Our Cubing Club was represented, and it was wonderous to watch a group of pupils completing their cubes which such dexterity and enthusiasm. In the Café, our DJ Club provided the musical accompaniment keeping us all entertained. This year it was wonderful to welcome back Writers’ Bloc. This has proved a very popular activity and we look forward to reading the creative works from the group, there maybe a budding Dame Julia Donaldson within our midst. Following the Clubs and Societies Fair, pupils are invited to formally register for the activities via SOCS. We have 120 Co-Curricular activities taking place before school, during break and lunchtimes and also after school. With healthy membership at the majority of the activities with some over subscribed. Our Clubs and Societies are now up and running. Our SOCS platform holds all the up to date information regarding the Co-Curricular Clubs and Societies. Those pupils who have registered for lunchtime clubs often need early lunchcards. This year during the various early lunchtime collection sessions, queues of pupils collected early lunchcards. For some pupils, part of the fun is collecting a card for each day of the week. We hope all pupils enjoy joining in these activities which provide opportunities to develop new interests, skills and form new friendships.
By Sonja Mitchell • September 21, 2026
This amazing feat saw Ian travel over 2,200 miles, with 141 solo days at sea!
By Eleanor Lewis • September 21, 2026
We were fortunate to welcome Dr Sean Ward from Sheringham Medical Practice this morning for an informal "Meet the Doctor" event. Dr Ward is also Clinical Director for Sheringham, Holt and Fakenham Medical Practices and a teaching fellow Norwich Medical School and has vast experience with both patients and medical students. He was able to pose questions and suggest responses which certainly stimulated the brain first thing on a Monday morning! Sean offered his time after receiving a number of enquiries from pupils who are interested in pursuing a medical career and deciding it would be easier to speak to everyone at the same time. The hour-long meeting was relaxed and full of interesting conversation, questions and food for thought, including the building of three new hospitals in East Anglia, all with private rooms instead of traditional wards - all to prevent the spread of infection, and incredible use of robotics in surgery, allowing surgeons to perform intricate operations from another country. The message from Sean was very clear; medicine and healthcare are never "just one career". Whether research based, or in a practical role, whether working for the NHS or even as a medic for the armed forces, there is endless opportunity to learn and develop. Training or university is just the beginning!
By Eleanor Lewis • September 20, 2026
On Sunday 20 September, the School Greenpower Racing team competed at the Lotus test track at Hethel against more than 20 other schools from across the country. They came 5 th and 9 th in the two Heats - the best performance ever, with the 9 th placing particularly impressive as they started from the pit lane. Ms Ling would like to congratulate the drivers : JJ L, Rowan K, Alejandro O, Gabriel C and Arthur L. She would also like to thank Alex P for his invaluable support on the day. Thanks so much to the pupils for taking some fantastic photos!
By Sonja Mitchell • September 18, 2026
As part of the national Heritage Open Day scheme, Norwich School was delighted to open its Air Raid Shelter, Crypt and school Chapel to visitors this month.
More Posts