NORWICH SCHOOL T-REX SCULPTURE ROARS INTO NORWICH!

June 28, 2022

Norwich School is thrilled to once again be taking part in Break's GoGoDiscover trail: A family-friendly sculpture trail of prehistoric proportions, stomping onto the streets of Norwich and Norfolk between Monday 27 June and Saturday 10 September 2022!



Our very own Norwich School T-Rex, Tyra-Norvy-Saurus (Norvy for short), is back on the Upper Close for everyone to discover. By visiting our sculpture, you will be in with a chance of unlocking a special reward using the new GoGoDiscover app!


This year, Norvy is joined by two new smaller 'Breakasaurus' sculptures, designed by our Lower School pupils.

This year's GoGoDiscover trail sees an expansion of last year’s 21-strong dinosaur trail, which accompanied the arrival of the Natural History Museum’s legendary Dippy the Diplodocus to Norwich. GoGoDiscover22 features 79 individually designed sculptures comprising 55 T.rex and 24 Steppe Mammoths, each decorated by artists from across the country.

GoGoDiscover is delivered by East Anglian charity Break, in partnership with Wild in Art. The presenting partners for the project are Norwich BID, Chantry Place and ROARR! Dinosaur Adventure.


The project is hoped to raise valuable funds for Break, which makes life better for children and young people who are on the edge of care, in care and leaving care.


Pete Marron, GoGo Project Manager comments: “The ferocious T.rex and mysterious mammoth have captivated children’s imaginations for years, which is why we’re so excited to bring this prehistoric squad of sculptures to Norfolk this summer.


“We hope that by delivering a fun, family day out across the county we can capture the imaginations of dinosaur hunters and mammoth explorers of all ages; while at the same time raising much-needed funds to make life better for young adults leaving care.”


You can find out more about the trail and download the trail map by clicking here.

For more information about Break visit break-charity.org


By Sonja Mitchell April 10, 2025
Abi smashed her debut marathon, finishing 18th out of 4500 female runners!
By Eleanor Lewis April 4, 2025
Friday 4 April 2025 saw us hosting a p ublic lecture held in conjunction with the Norfolk Contemporary Art Society (n-cas) in the Blake Studio. This presented an amazing opportunity to hear from Dr Hannah Higham, Senior Curator at the Royal Academy of Arts in London – one of the country’s most prestigious art institutions. Before joining in April 2023, she previously worked as the Senior Curator for the Henry Moore Foundation. Formerly, she has worked for Norwich Castle Museum and Art Gallery and the Sainsbury Centre for Visual Arts in Norfolk, so she was enjoying being back in the county. A large audience of n-cas members, NUA students, ONs and staff learned what an august institution the Royal Academy of Arts in London truly is. From the days of its first President Joshua Reynolds, its collections and exhibitions are rightly world famous. Hannah’s wide ranging and informative talk charted how it brilliantly mixes modernism with the Old Masters (including a priceless Michelangelo carving) in its amazing collections and exhibitions. She reflected on its essential mission to remain a pre-eminent educational institution for art and mused on the current challenges of its charitable funding model (receiving no help from either the State or the Crown). The audience left inspired to visit its exciting programme of upcoming exhibitions, detailed here: Exhibitions & Events | Royal Academy of Arts N-cas continues to attract high-calibre, interesting speakers on a wide variety of areas of contemporary creative art. Their talks are open to all and are very approachable and friendly. Further details of n-cas events will be posted here: Events — ncas and we look forward to welcoming them back on site for talks later this year and to them exhibiting in our Crypt Gallery in 2026 to mark its 70 th anniversary. Details of all of Norwich School’s eclectic selection of cultural events round site feature in our termly publication, At Close Quarters with the summer edition due out imminently. See: Publications | Norwich School . Do join us.
April 4, 2025
Upper 4 pupil, Riya Sharma, tells us all about the exciting four-day residential trip to the Spanish capital. "In my opinion, the Madrid trip was absolutely fantastic! We explored key parts of Madrid and we had so much fun while doing it. Going to Real Madrid's stadium was mesmerising, and we got to see different parts of what made up such a unique place. Doing a tour of important aspects of Madrid was intriguing, and we learnt so much with a wonderful tour guide. Retiro park was outstandingly vast, and we had so much fun doing activities as well as the churros tasting. Last but certainly not least, was Warner Bros theme park. It was packed with many rides, each unique in their own way. It may have been petrifying to go on the rides, but it was certainly worth it. Overall, the trip was amazing, and I am very excited for next years group to go and enjoy a lovely time." Riya Sharma (U4)
By Sonja Mitchell April 2, 2025
ON Isobel Holroyd will be running the London Landmarks Half Marathon to support Cardiac Risk in the Young (CRY).
By Sonja Mitchell April 2, 2025
ON David Treglown will be swimming (4km), cycling (180km), and running (marathon) the 226.3km IRONMAN Australia on 4 May to raise funds for Prostrate Cancer UK.
By Eleanor Lewis April 2, 2025
Well done to everyone for getting through to the end of another busy Norwich School term. With all that we have heard in the last two presentation assemblies, two of our key aims for pupils, breadth and leadership & service, have certainly been in evidence. However, as we come to a holiday and a chance to change pace, I want to return to the third of our pupil aims. It is the theme I raised at the start of term, curiosity, whether practical, intellectual or creative. I am sure you can all remember exactly what I talked about; indeed, you have been thinking of little else since January, but just in case there are a few hazy memories, I mentioned curiosity in connection with some extraordinary natural phenomena such as the East Atlantic Flyway, the Connectome of a female fruit fly and the difference in scale between a million and a billion. You may be thinking that I must be scraping the barrel if I am repeating a theme for an address, but the reason for returning to it is that our ability to intersect with a concept such as curiosity is different in term-time from a holiday. The key to that difference is choice: during term, we obviously hope you will be curious but you have to do so largely on the school’s terms regarding compliance with our timetable, following syllabus constraints and keeping up with homework tasks. However, for the next three weeks or so, you set the pace, you get to follow your ideas and interests with less outside interference. For our public examination candidates in U5 and U6 who are likely to be planning for a holiday which blends rest and revision, the difference between term and holiday might be at risk of becoming blurred. However, I encourage you to keep this word and quality in your minds, even if it requires a bit of a Jedi mind-trick to start with. You are more likely to retain information or a concept if you are excited about it and clear on why you are learning it, how it is going to help you or how it fits with other learning. Try to be curious about the ideas, texts or techniques you are mastering as it will help them to stick. If this really is all too much and you see the upcoming revision process simply as a grind-to-get-through, at least make sure to insert curiosity into your break-periods. If you think of the 5 ways to wellbeing that Norwich School promotes (give, connect, stay active, keep learning, take notice), curiosity could be said to be in all of them, especially if one draws in practical, creative or intellectual flavours, but it certainly cuts into the last three; the last one, take notice, is essentially curiosity via another phrase. Whether you will be revising this holiday or not, I encourage you to feed your curiosity and offer some stimuli for consideration, based on personal experiences this term. I hope you have had or soon will have experiences which get you thinking. See which of the following areas interests you most: From a Royal Geographical Society talk on Rewilding and in Mountain Guru, a biography of Doug Scott, one of Britain’s greatest climbers with a claim to fame being the highest bivouac ever when he spent the night 100 metres below the summit of Everest without oxygen or sleeping bags during his pioneering ascent of its south-west face: what does wild mean in terms of man’s relationship with nature? Can humans be involved in a place which is truly wild and, if so, how? From our own Senior Play, The Watsons: what is the relationship between an audience and its actors, between writers and the characters they create, between history and the present? This play’s metatheatricality challenges the suspension of disbelief that lies at the heart of story-telling and performance art. From an agri-tech day at John Innes Centre, put on at the Food & Farming Discovery Trust, with a visit to Food Enterprise Zone, how are we going to feed the planet in the 21st century? What are the ethics and finances under consideration at the world-leading research centre in our city? From A Complete Unknown, the biopic film about Bob Dylan starring Timothee Chalomet, where does creative originality come from and how do cultural norms change over time? Credited as one of the most influential artists of all time, Dylan’s music and lyrics upended divisions between folk and rock with tunes that became emblematic of anti-war movements and counter-culture in the 1960s. Chalomet’s gamble in the taking on of singing and playing Dylan classics is striking, too. And, finally, from Matthew Bourne’s Swan Lake, how do you tell stories without words? Most famous for its male chorus of swans (think of the final scene from Billy Elliot), Tchaikowsky’s iconic score is brought to life by the humour and attention to detail of Bourne’s choreography and, most of all, the raw athleticism of its dancers. I wanted to complement this last reference by showing off some of our male and female dancers from the wonderful recent Senior Dance Festival, but that has not proved possible because of injury, so stand by for something from them next term. Instead, I have asked Lana Kiddell to reprise her outstanding rendition of Somewhere Over the Rainbow from Jazz Night. I hope this gives you an opportunity to reflect on areas where you will give rein to your curiosity during the upcoming holiday. In terms of curiosity, what I am advocating for is a desire to find out more, to follow your interests to explore more about the world around you and yourselves. If you can establish this attitude as a habit, I believe it stays with you for the rest of life: it might be characterised as being not childish as we grow up but remaining child-like. To illustrate the point, I finish today by referencing the passing of Peter Grover MBE, the legendary Scout leader of the 8th Norwich whose memorial service took place in the Chapel on Saturday. The following comes from a poem of tribute from one of his fellow-Scout leaders (and, for information, Robert Baden-Powell was the founder of the Scouting Movement). The quote is as follows: Baden-Powell said adult leaders needed to be Boy-men. “A boy can see fun and adventure in a dirty-duck-puddle. If you are a boy-man, you can see it too”. Peter was a boy-man. The quote above is gendered as a product of its time but I suggest that the concept now applies equally to girl-woman. I like the way this last quote shows the close intersection of curiosity with fun and humour, in some ways the sillier the better. Child-like, not childish. Have a great holiday and I look forward to seeing you all after Easter.
April 1, 2025
Three Norwich School pupils, Luke Watts (U5), Milo Clabburn (L6) and Rory Evans (M5) have appeared on Radio Norfolk to talk about their love of dance. We caught up with Rory to find out more… Why were you invited to speak on Radio Norfolk? I am part of a dance company called Legacy and along with Luke, Milo and some of our fellow dancers, we were invited to speak on Radio Norfolk to promote an incredible upcoming show, called Brothers in Motion, which celebrates 10 years of Legacy Dance Company UK. Can you tell us a little more about Legacy? Legacy is an all-boys dance company which trains every Saturday and meets every week at the Workshop Studios in Norwich. In total there are about 100 male dancers split across four main groups – minis, little, 11+ and Main Company. I am part of the Main company, which consists of 13 boys aged from 11 to 18 – four of us are from Norwich School; me, Milo, Luke and also Jasper Valpied (U5). The company is audition only and we do performances, competitions and outreach programmes. How did you hear about Legacy? I was introduced to Legacy when they performed in the Junior Dance show a few years ago. They have also guest choreographed at various dance events at school such as the Dance Festival and Gala Night and they do workshops and events with the school. What do you enjoy about dance? I have loved dance since I joined Norwich School and I have been really grateful for the opportunity to do all the dance that I have. I enjoy being able to express myself through dance, which is fun and therapeutic and also builds lots of transferable skills such as dedication, hard work and coordination. Tell us more about the show you were promoting on the Radio… It is called Brothers in Motion and involves multiple boys dance groups from across the country coming together to perform, along with some of the top vocational colleges from around the country and also many Legacy Alumni will be performing. It is a really exciting showcase of male dance, which will be taking place at the Norfolk Showground on Friday 30 th May. It was great to be able to talk about it on the radio, as we are also trying to get funding for the show, as Legacy has been unable to access the Arts Council funding that has made the show possible in the past, so we are crowdfunding and asking for Business Sponsorship to help. What would you say to anyone out there who might be interested in dance but hasn’t yet started? I would strongly encourage you to start – the first step is the hardest but once you start I am sure you will love it. It is so much fun and the atmosphere and community both Legacy and Norwich School have been inspirational for me. Click here for more information - BROTHERS IN MOTION - 10 Years, 1 Legacy - a Creative & Arts crowdfunding project in Norwich by LEGACY Dance Company UK
April 1, 2025
Here at Norwich School we are delighted to celebrate the talented diversity of our Upper Sixth cohort as offers for onward routes continue to come in. Following on from blog posts on law and girls’ STEM university offers, we have chosen to focus on offers pupils have for non UCAS (the Universities and Colleges Admissions Service in the UK) routes. With expert guidance from Mr Croston, pupils have received offers from leading universities in several countries outside of the UK. Congratulations in particular to Uma Patel (offer for Dentistry at the Universidad Catolica de Valencia, Spain), Edward Chan (Architecture at Hong Kong University), Bosco Tang (Dentistry at Hong Kong University) and Helen Ng (Computer Science at UST, University of Science and Technology, Hong Kong). A huge variety of exciting opportunities with employers are now available to school leavers, almost all combining paid employment with training and further qualifications. The number of degree apprenticeships available in the UK is now four times what it was five years ago; our pupils who gain offers for these will work for a leading employer who trains them, pays them and pays for them to complete a full university degree alongside their employment. We are very fortunate to have Mrs James supporting pupils as they apply for these highly competitive programmes. This blog post asks three pupils about their offers for non UCAS routes: Ava deCooper Wride has a full rugby scholarship for Quinnipiac University (USA), Archie Taylor has an accountancy degree apprenticeship offer from Price Bailey and Hugo Pattinson has an engineering degree apprenticeship offer from Airbus.
By Sonja Mitchell April 1, 2025
As part of the BIG Egg Hunt, Claire has created a beautiful egg to raise funds for The Elephant Family.
By Jakka Pranav Swaroop Naidu March 31, 2025
Mrs Grant, Assistant Head (Pupil Progress), offers some top tips for revision based on her own experiences. Two years ago I sat an English A-level – my first exams in sixteen years! It was time to put into practice all the advice I confidently give out to pupils every year. So how did I approach the revision? I certainly embarked on ‘proper revision’ too late. I’d been enjoying my lessons happily and writing interesting essays (even this essay technique I began too late really), but had not attempted to commit anything to memory as I went along. English is very different to Physics, which I teach, but the bottom line is that some stuff needs memorising in any subject. So far so not good in heeding my own advice. Once I engaged in the process properly, though, I’d say I did manage to make up for lost time a little! I started by deciding which quotations were worth learning from the texts and from critics etc. I tried to choose a sensible number I thought it would be achievable to learn, and which spoke to the key themes of the texts. If I had started earlier, I would have been able to be more ambitious in the breadth of what I learnt. I then grouped them by text and by theme on index cards and set about reciting them out loud repetitively every day. I would read it out loud, cover it up and try to read it without looking etc. This didn’t take too long so it meant I could try to do this every day in the couple of months leading up to the exam. Slowly I knew just from the heading of an index card that I could recite the whole thing without looking. At that point I put these cards in a different pile – not to be neglected, but ones I knew I had cracked and just needed to keep rehearsing. I was left, in the week before the first exam, with three or four stubborn cards which I was struggling to memorise, but this now felt more do-able. I would walk around countryside paths near where I live reciting them and this helped – walking at the same time seemed to stop me feeling fidgety at my desk and I felt less stressed too. Interspersed with the memorising, Mr Murray (my very patient teacher) also encouraged me to keep planning essays and writing bits of them too. The difference now was that I could try to do it timed, without looking anything up. I think a big danger in English was that, having learnt key quotations, I was sub-consciously very keen to use them and show off these interesting things I had learnt by shoe-horning them into potentially totally irrelevant contexts. This continued exam practice and Mr Murray’s patient feedback helped me to have an internal voice reminding me how counter-productive that would be. I needed to plan a good essay that was relevant to the question and only then reach for things I had memorised to support my plan All of this helped me to feel like the real exam was just this same process again that I was well rehearsed in doing. I had a good sense of how much time to spend planning an essay and knew this would make the writing time more efficient and effective. When using quotations in the real exams I could often picture the bit of my walk I was on when learning it which helped me remember it and helped me to feel calm. In summary then: - Consolidate as you go along. - Be in a room with no tech – a phone that is off but in the same room is still taking up ‘cognitive load’ research has shown. - Have a timetable that spaces different subjects and topics out instead of having whole days or just one subject or topic. - Don’t completely neglect past questions/essay planning when memorising material – interleave these activities. - Schedule breaks and get fresh air and exercise - If you listen to music it should be lyric-free.
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