On 27 February, I returned to the Close with my flute, viola and harp trio, Alarka. The trio was formed at the University of Cambridge in September 2024, and we have since enjoyed a busy schedule of recitals and concerts. We performed in the Cathedral as part of the School’s series of Thursday lunchtime ‘Making Musicians’ recitals with a programme of mostly early 20th-century French and English music. It was lovely to bring Polly (viola) and Hebe (harp) to the Cathedral – to see it with fresher eyes made me appreciate once again how lucky I was to call it home for two years.
Unsurprisingly, there is not a huge amount of repertoire for this eclectic group of instruments, although there is more than one might think; we played some arrangements as well as pieces written specifically for the trio. To open the programme, we performed an arrangement of Cantique de Jean Racine by Fauré (arr. Trevor Wye for two flutes and piano and slightly altered by me to accommodate the viola).
The second piece in this recital was particularly special: we gave the second (ever!) performance of Rera by Sarah Henderson, which was written for us earlier in February of this year. Sarah travelled from Cambridge to give a short introduction to this rather haunting piece, which combines harmonics, extended techniques, and a bit of choreography with David Guetta’s Titanium to evoke the sound world of an abandoned shopping mall in Hokkaido, Japan, which Sarah visited on her year abroad last year. In the large acoustic of the South Transept, the sound had a lot of space to reverberate, and it was very atmospheric.
The rest of the programme included Arnold Bax’s Elegiac Trio (1916), and an arrangement of Ravel’s Pavane pour une enfante défunte (arr. Nicholas Ellis). We ended the recital with the piece that made this combination of instruments popular: the Sonata for Flute, Viola and Harp by Debussy, written in 1915.
It was a joy to play to such a large, friendly audience and to be back in a place that is so special to me. Indeed, Mr Griffiths reminded me that I started my journey at Norwich School with a Making Musicians lunchtime recital the year before I joined, so this felt like something of a full-circle moment.
Thank you to Mrs Speca and to the School for such a warm welcome, and for everyone who came to support us.
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